Lucas Stoffel

Carve the Mark is Veronica Roth's first post-Divergent novel, and you can feel her stretching into a bigger canvas. Where Divergent was one city, one system, one test — this is an entire galaxy of planets connected by a sentient energy field called the current, and every person in it is born with a currentgift that shapes who they become. It's ambitious, messy, and more interesting than it has any right to be. The story follows two characters from opposite sides of a confl

The Fates Divide picks up where Carve the Mark left off and does what good sequels do — it expands the scope while deepening the personal stakes. Where the first book was about Akos and Cyra surviving, this one is about them choosing. And the choices are terrible. Cyra and Akos are separated for much of the novel, and Roth uses that distance to give each character their own arc rather than tethering them to the romance. Cyra is drawn into the political upheaval of the...

The Impossible Fortress is set in 1987, and it absolutely nails it. Jason Rekulak wrote a coming-of-age novel about a fourteen-year-old boy named Billy Marvin whose initial goal — stealing a copy of Playboy from the local convenience store — accidentally leads him into a friendship with the store owner's daughter, Mary, who is the best computer programmer he's ever met. What follows is a novel about first love, betrayal, and the Commodore 64 that is far better than it has any

If you've seen anyone screaming about Jacks the Prince of Hearts on BookTok or bookish Twitter, this is where the damage starts. Once Upon a Broken Heart is the first book in Stephanie Garber's series that leads to The Ballad of Never After and A Curse for True Love, and it's the doorway into one of the most addictive romantasy ships in recent memory. Evangeline Fox is desperate. The love of her life is about to marry someone else, and in her desperation she does the one t

Book two of the Once Upon a Broken Heart series, and the tension between Evangeline Fox and Jacks the Prince of Hearts just keeps building until you want to physically shake the book and scream at both of them. Evangeline is trying to break a curse — one of several that keep stacking up in this series like the worst kind of fairy-tale compound interest — while Jacks is doing that infuriating thing where an immortal Fate who has murdered people with a kiss tries very hard to p

Let me tell you something about Stephanie Garber: she understands that the best fairy tales are the ones where love might actually kill you. Not metaphorically. Not in a "love hurts" pop song kind of way. In a "the person you're falling for might literally be cursed to destroy you" kind of way. A Curse for True Love is the finale of the Once Upon a Broken Heart trilogy, and it delivers on that promise with theatrical flair. If you haven't read the first two books, stop here

The pitch for this one is The Office meets Six Feet Under meets About a Boy, and honestly? That's pretty accurate. It's about a middle-aged guy whose life has basically fallen apart. Job's gone, marriage is gone, he's lost the plot. And he gets this unexpected second chance to figure out who he actually wants to be. John Kenney was a copywriter for years before he started writing fiction, and you can feel that background in the prose. He's economical. He knows how to land

Alright, this one is just a blast. Rikki Thunder is a twenty-two-year-old drummer in a fictional eighties metal band called Whyte Python. Big hair, tight pants, sold-out arenas. You know the vibe. Except then he accidentally becomes an international spy, and suddenly this ridiculous rock-and-roll fantasy turns into a full-on thriller. Travis Kennedy knows exactly what kind of book he's writing. This isn't trying to be literature. It's trying to be the most fun you've had w

Dustin Thao's When Haru Was Here is his sophomore novel after You've Reached Sam, which was already proof that this author understands loneliness the way some writers understand plot or dialogue. It's his native language. And in When Haru Was Here, he's become even more fluent in it.

Blake Crouch has this particular talent that I both admire and resent: he can take a premise that sounds like a B-movie pitch and turn it into something that keeps you checking your door locks. Run is earlier Crouch—published before Dark Matter and Recursion made him a household name—and you can feel the raw edges. This isn't polished. It's feral. And I mean that as a compliment.

Aiden Thomas first caught my attention with Cemetery Boys, which was one of those debuts that made you sit up and go "oh, this person is going to be important." The Sunbearer Trials confirms that instinct and then some. Thomas has built an entire world here—Reino del Sol—rooted in Mexican mythology, Aztec-inspired gods, and a competition structure that borrows from the Hunger Games playbook but does something genuinely fresh with it...