Lucas Stoffel

Carve the Mark is Veronica Roth's first post-Divergent novel, and you can feel her stretching into a bigger canvas. Where Divergent was one city, one system, one test — this is an entire galaxy of planets connected by a sentient energy field called the current, and every person in it is born with a currentgift that shapes who they become. It's ambitious, messy, and more interesting than it has any right to be. The story follows two characters from opposite sides of a confl

The Fates Divide picks up where Carve the Mark left off and does what good sequels do — it expands the scope while deepening the personal stakes. Where the first book was about Akos and Cyra surviving, this one is about them choosing. And the choices are terrible. Cyra and Akos are separated for much of the novel, and Roth uses that distance to give each character their own arc rather than tethering them to the romance. Cyra is drawn into the political upheaval of the...

The Impossible Fortress is set in 1987, and it absolutely nails it. Jason Rekulak wrote a coming-of-age novel about a fourteen-year-old boy named Billy Marvin whose initial goal — stealing a copy of Playboy from the local convenience store — accidentally leads him into a friendship with the store owner's daughter, Mary, who is the best computer programmer he's ever met. What follows is a novel about first love, betrayal, and the Commodore 64 that is far better than it has any

A Wrinkle in Time is one of those books that gets classified as a children's novel because the protagonists are children, but Madeleine L'Engle was writing about the nature of evil, the structure of the universe, and the terrifying power of conformity, and she wasn't simplifying any of it. Meg Murry is thirteen, angry, brilliant at math, and terrible at fitting in. Her father, a physicist, has been missing for over a year. Her mother — also a scientist, also beautiful, whi

If you've seen anyone screaming about Jacks the Prince of Hearts on BookTok or bookish Twitter, this is where the damage starts. Once Upon a Broken Heart is the first book in Stephanie Garber's series that leads to The Ballad of Never After and A Curse for True Love, and it's the doorway into one of the most addictive romantasy ships in recent memory. Evangeline Fox is desperate. The love of her life is about to marry someone else, and in her desperation she does the one t

Book two of the Once Upon a Broken Heart series, and the tension between Evangeline Fox and Jacks the Prince of Hearts just keeps building until you want to physically shake the book and scream at both of them. Evangeline is trying to break a curse — one of several that keep stacking up in this series like the worst kind of fairy-tale compound interest — while Jacks is doing that infuriating thing where an immortal Fate who has murdered people with a kiss tries very hard to p

Jerry Saltz has been the art critic at New York Magazine and its offshoot Vulture for years, and before that he spent over a decade at the Village Voice. He won the Pulitzer Prize for Criticism in 2018. The man has spent his entire adult life looking at art, arguing about art, and thinking about what makes art matter. So when he sits down to write

Let me tell you something about Stephanie Garber: she understands that the best fairy tales are the ones where love might actually kill you. Not metaphorically. Not in a "love hurts" pop song kind of way. In a "the person you're falling for might literally be cursed to destroy you" kind of way. A Curse for True Love is the finale of the Once Upon a Broken Heart trilogy, and it delivers on that promise with theatrical flair. If you haven't read the first two books, stop here

Here is the pitch: aliens show up, flatten every building on Earth, and kill everyone who was outside. The survivors get dropped into a massive underground dungeon — a multi-floor death game broadcast live to the entire galaxy for entertainment. Carl, our guy, was outside in a bathrobe walking his ex-girlfriend's cat when the world ended. The cat, Princess Donut, gains the ability to talk. She immediately becomes the most famous celebrity in the known universe and demands to

Let me just say it: I was nervous about this one. Prequels to beloved series have a lousy track record, and even The Ballad of Songbirds and Snakes had its skeptics. But Suzanne Collins walking back into the Hunger Games arena to give us Haymitch Abernathy's story? That's either going to be brilliant or it's going to break something sacred. It's brilliant. It might also break you, but that's a different problem. Sunrise on the Reaping is set during the fiftieth Hunger Game

Alright, this one is just a blast. Rikki Thunder is a twenty-two-year-old drummer in a fictional eighties metal band called Whyte Python. Big hair, tight pants, sold-out arenas. You know the vibe. Except then he accidentally becomes an international spy, and suddenly this ridiculous rock-and-roll fantasy turns into a full-on thriller. Travis Kennedy knows exactly what kind of book he's writing. This isn't trying to be literature. It's trying to be the most fun you've had w

If The Dark Forest made you feel small, Death's End makes you feel like a rounding error in the math of the cosmos. This is the book where Cixin Liu stops holding back. Time jumps spanning millions of years. Dimensional warfare that makes conventional military sci-fi look like a pillow fight. The actual, literal end of the universe. Not metaphorical. Not symbolic. The universe ends, and Liu writes it.

The Three-Body Problem was the setup. Strange, cerebral, occasionally frustrating in its scientific density. It introduced the problem. The Dark Forest is where Cixin Liu tells you the answer, and the answer is worse than anything you imagined. I am not going to spoil the dark forest theory. I refuse. The moment it clicks is one of the great reading experiences in science fiction, and you deserve to arrive at it the way Liu intended — slowly, then all at once.