Lucas Stoffel

American Gods Book Review: Neil Gaiman asked a question that nobody else thought to ask: what happens to the gods when nobody believes in them anymore? The answer, it turns out, is they get jobs. They drive taxis. They run funeral homes. They hustle and con and drink and try to remember what it felt like to matter. And one of them is assembling an army.

Dune is the book that every other science fiction book is either descending from or reacting against. Frank Herbert published it in 1965, and sixty years later it still feels like the most complete world anyone has ever built in a novel. Every detail — the ecology, the religion, the politics, the economics, the technology, the biology — connects to every other detail with a precision that borders on obsessive. This isn't worldbuilding. This is world-engineering.

Speaker for the Dead: it's not a sequel to Ender's Game. Not really. It shares a protagonist and a timeline, but it's a completely different kind of book. Ender's Game is a military science fiction novel about a child prodigy fighting an alien war. Speaker for the Dead is a slow, philosophical novel about a middle-aged man trying to understand an alien species by telling the truth about the dead. The fact that the same author wrote both of these is genuinely remarkable.